COMPARATIVE ANALYSIS OF CHINESE AND UZBEK MUSICAL ART

Amirjonova Charos Qobiljon qizi; Valiyeva Noiba Abbasxonovna

COMPARATIVE ANALYSIS OF CHINESE AND UZBEK MUSICAL ART

Authors

Amirjonova Charos Qobiljon qizi Tashkent State University of Oriental Studies
Valiyeva Noiba Abbasxonovna Tashkent State University of Oriental Studies

Keywords:

Uzbek music, Chinese music, maqom, traditional musical instruments, cultural heritage, comparative analysis, folk music.

Abstract

This article provides a comparative analysis of the historical development of the musical arts of Uzbekistan and China, their connection with various musical instruments and cultural information. Both nations reflect their cultural heritage through their unique melodies, traditional national music and performance styles. While maqoms, folklore and folk tunes play a large role in Uzbek musical art, classical music and imperial court music play an important role in Chinese music.

References

A. Jabborov, S. Begmatov, M. Agzamova. “History of Uzbek music”. – T.: “Science and Technology” Publishing House, 2018, p. 189.

O.A. Ibrohimov, G.M. Khudoyev. “History of Music”. “Barkamol Fayz Media” Publishing House, Tashkent. 2018, p. 190.

R. Tursunova, G. Tursunova. “History of World Music”. – T.: Voris-Nashriyoti” Publishing House, 2017, p. 150.

Yunusov R. Uzbek folk music creation. Textbook. – T.,2000, p. 112.

Website:

https://chnmusic.org.cn

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Published

2025-07-31

How to Cite

Amirjonova Charos Qobiljon qizi, & Valiyeva Noiba Abbasxonovna. (2025). COMPARATIVE ANALYSIS OF CHINESE AND UZBEK MUSICAL ART. INTERNATIONAL JOURNAL OF SOCIAL SCIENCE & INTERDISCIPLINARY RESEARCH ISSN: 2277-3630 Impact Factor: 8.036, 14(07), 38–41. Retrieved from https://gejournal.net/index.php/IJSSIR/article/view/2722